WSBUOnly our station's best offerings.
These Sydney natives hit the indie scene hard with their newest release Prisoner. With fleshed out hi-fi and female vocals to rival Zola Jesus, The Jezebels know what they’re doing and aren’t afraid to show it.
Experimental infusions of spacey electronica, piano, strings and then the traditional guitar gives Prisoner a wide variety of flavors that juxtaposes nicely with the occasional folk overlays.
“Rosebud,” sounds like the score for Dirty Dancing or any other 80’s movie, while “Long Highway,” and “Endless Summer,” fall heavily on the folk side.
Hayley Mary’s vocals play savior to the track’s diversity, matching all genres effortlessly as she moans and hums her harmonics through each style. “Nobody Nowhere,” is the darkest track on the album, making a definite statement as Mary’s ghostly soprano hums high above the distorted wails that play as the background to a dramatic classical score.
Check out "Nobody Nowhere":